ERIC'S PAGE

Hello Eric. After our first session with the mind journey taken, I hope that over the coming weeks that the work we did will strengthen and give you some ease with how you connect emotionally to your voice.

That said we can now also start to look at addressing some of the other things you wanted to cover and so this page will be your own personal go to for the exercises we cover in private 1:1 sessions.

First area of work is to begin strengthening your dexterity and vocal agility, so below you will find exercises to practice daily which will start to give you more dynamics to play with.

​I would also like you to record the two scripts below for me. 1 is titles 'Comma gets a cure' and the other 'Tarantella'

voice_gym.pdf
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Tarantella
by Hiliare Belloc
​
Do you remember an Inn,
Miranda?
Do you remember an Inn?
And the tedding and the spreading
Of the straw for a bedding,
And the fleas that tease in the High Pyrenees,
And the wine that tasted of the tar?
And the cheers and the jeers of the young muleteers
(Under the vine of the dark verandah)?
Do you remember an Inn, Miranda,
Do you remember an Inn?
And the cheers and the jeers of the young muleteers
Who hadn’t got a penny,
And who weren’t paying any,
And the hammer at the doors and the din?
And the Hip! Hop! Hap!
Of the clap
Of the hands to the twirl and the swirl
Of the girl gone chancing,
Glancing,
Dancing,
Backing and advancing,
Snapping of the clapper to the spin
Out and in–
And the Ting, Tong, Tang of the guitar!
Do you remember an Inn,
Miranda?
Do you remember an Inn?
Never more,
Miranda,
Never more.
Only the high peaks hoar:
And Aragon a torrent at the door.
No sound
In the walls of the halls where falls
The tread
Of the feet of the dead to the ground,
No sound:
But the boom
Of the far waterfall like doom.

Comma Gets A Cure

Well, here's a story for you: Sarah Perry was a veterinary nurse who had been working daily at an old zoo in a deserted district of the territory, so she was very happy to start a new job at a superb private practice in North Square near the Duke Street Tower. That area was much nearer for her and more to her liking. Even so, on her first morning, she felt stressed. She ate a bowl of porridge, checked herself in the mirror and washed her face in a hurry. Then she put on a plain yellow dress and a fleece jacket, picked up her kit and headed for work.

When she got there, there was a woman with a goose waiting for her. The woman gave Sarah an official letter from the vet. The letter implied that the animal could be suffering from a rare form of foot and mouth disease, which was surprising, because normally you would only expect to see it in a dog or a goat. Sarah was sentimental, so this made her feel sorry for the beautiful bird.

Before long, that itchy goose began to strut around the office like a lunatic, which made an unsanitary mess. The goose's owner, Mary Harrison, kept calling, "Comma, Comma," which Sarah thought was an odd choice for a name. Comma was strong and huge, so it would take some force to trap her, but Sarah had a different idea. First she tried gently stroking the goose's lower back with her palm, then singing a tune to her. Finally, she administered ether. Her efforts were not futile. In no time, the goose began to tire, so Sarah was able to hold onto Comma and give her a relaxing bath.

Once Sarah had managed to bathe the goose, she wiped her off with a cloth and laid her on her right side. Then Sarah confirmed the vet's diagnosis. Almost immediately, she remembered an effective treatment that required her to measure out a lot of medicine. Sarah warned that this course of treatment might be expensive-either five or six times the cost of penicillin. I can't imagine paying so much, but Mrs. Harrison-a millionaire lawyer- thought it was a fair price for a cure.
​
COPYRIGHT & CITATION: Comma Gets a Cure and derivative works may be used freely for any purpose without special permission provided the present sentence and the following copyright notification accompany the passage in print, if reproduced in print, and in audio format in the case of a sound recording: Copyright (©) 2000 Douglas N. Honorof, Jill McCullough & Barbara Somerville. All rights reserved.